The breathing machinery, properly: not just the diaphragm — a whole set of breathing muscles
We tend to say “breathe in, belly rises; breathe out, belly draws in” and leave it at that. But if the belly is all we look at, we are overlooking a whole set of muscles working quietly behind every breath. The teacher who stands out is the one who can see that set — who knows which muscle is the mainstay, which ones should only lend a shoulder when needed, and who can therefore read whether a student is breathing properly or borrowing muscles to do it.
Breathing is the work of a whole crew; the diaphragm is only the conductor
The body does not breathe with a single muscle. The diaphragm is the main breathing muscle — the mainstay — but around it sits a whole set: the muscles between the ribs, and a few helpers at the neck and shoulders. A deep, quiet breath is the whole set working in time with each other, not just a belly going in and out.
Some muscles carry most of the work in everyday breathing (the main ones), and some should only come in when we need a hard, fast breath (the helpers). Telling those two groups apart is the key to understanding why one person breathes effortlessly while another breathes with the shoulders riding up and the neck aching.
The diaphragm: the dome between chest and belly — it drops, and that is the in-breath
Picture the diaphragm as an upside-down dome sitting right under the two lungs. When we breathe in deeply enough, that dome flattens downward, making room for the lungs to open further down. It presses into the organs below, and so the belly fills and rounds out. On the out-breath the dome lifts again, the lungs press back, and the belly slowly draws in.
In anatomy the diaphragm is called exactly that: the main muscle of respiration. The proper name for this kind of breathing is diaphragmatic breathing (belly breathing). You do not need the terminology to teach it — picturing that dome going down and up is already enough to guide a student.
Intercostals and erector spinae: open the ribcage, hold the trunk tall so the breath can go deep
Between the ribs sit bands of intercostal muscle. On the in-breath they shorten, lifting the ribcage and opening it out to the sides. So the lungs can open sideways too, not only downward. That is why in a full breath you see both chest and belly widening — like a room being made bigger so the lungs can move freely.
The erector spinae run down either side of the spine, holding the trunk tall. When the back is straight, the neck long and the ribcage open, the diaphragm has the room it needs to move down and up. Try rounding the back and rolling the shoulders forward and see: the ribcage narrows immediately, and all you have left is a very shallow breath. Which is why “breathing well” always comes with “sitting and standing well”.
The diaphragm moves down and up like a second heart, easing the organs below
Tuấn Anh often calls the diaphragm a person's “second heart”. With every deep breath it drops and lifts, as steady as a heartbeat. That movement works gently on the stomach and intestines lying right below — it helps digestion along, and people finish a session feeling lighter through the middle, easier and more settled.
This is where a teacher has to be careful with words. Steady deep breathing helps bring a feeling of ease and calm, and supports the body in running more smoothly — and we stop there. We do not promise to “cure” a gut condition, or any condition. Saying it at the right strength is both honest and the thing that keeps your professional standing.
Watch which group a student breathes with, and you know whether they are right or “borrowing”
Here is the muscle map, small enough to carry into a room: if a student breathes in and the belly and lower ribs widen quietly while the shoulders stay put, they are using the diaphragm — that is a right breath. If every in-breath lifts the shoulders, grips the neck and crowds everything up into the chest, they are “borrowing” the helpers at the neck and shoulders (sternocleidomastoid, scalenes) to drag the air in. One glance at the shoulders and you have read it.
The muscles at the neck and shoulders are helpers by design — made to lend a shoulder for a moment when we need a quick, hard breath. Put them on breathing duty for a whole session and they tire fast, and the neck and shoulders go tight. Worse, this way of breathing only draws a shallow breath into the upper chest; the lungs never open fully lower down — so the student keeps breathing and still feels “short of air”, tight in the chest, tired, and loses exactly the ease the breath was supposed to bring.
Do not read this as “the neck and shoulder muscles are the bad ones”. They are worth a great deal when we want a strong, decisive, energising breath. The trouble is only using them in the wrong place: taking the muscles meant for effort and breathing with them at rest, in recovery. A good teacher is one who calls the right muscle for the right job.
Background reading for the whole set: Swami Satyananda Saraswati, Asana Pranayama Mudra Bandha; Ann Swanson, Science of Yoga; B.K.S. Iyengar, Light on Pranayama; Hatha Yoga Pradipika; together with the teaching of Vũ Trọng Tuấn Anh.
This is professional education, not a substitute for medical advice. A student with an existing condition — heart, blood pressure, respiratory or neurological — or who is pregnant should speak to a physician before practising.